The ballroom version of Merengue (merengue de salón), in its easiest form looks as follows.
With monotonous thumping 1-2-3-4 bass drum beat, all steps are on one beat and have a characteristic limping appearance. Sometimes this step called paso "de la empalizada" (pole-fence step). There are also legends about a limping war hero (or El Presidente of a banana republic himself, in some versions) who had to step in this way while dancing because of wounds, and polite (or clueless) public imitated him.
Partners hold each other in closed position and do walks sideways or circle each other, in small steps. They can further switch to a double handhold position and do separate turns never letting go each other's hands. During these turns they may twist and tie their handold into intricate pretzels. Other choreography is possible.
Although the tempo of the music may be frantic, the upper body is kept majestic and turns are slow, typically four beats/steps per complete turn.
In the social dancing of the USA the "empalizada" style is replaced by exaggerrated Cuban motion, taught in chain ballroom studios for dances of Latin American origin (Cha-cha-cha, Rumba, Mambo, Salsa).
Foxtrot
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Most dance descriptions originate @ Wikipedia, the free encyclopedia.
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